A D V E N T U R E S in C Y B E R S O U N DSeeing by Wireless by Ray Herbert
1996 is the 50th anniversary of the death of John Logie Baird, often referred to as the 'father of television'. Baird is generally acknowledged as the inventor of 'true' television, having initiated most of the development in that medium. The anniversary of his death is being marked by the publication of Seeing by Wireless by Ray Herbert, a comprehensive look at the career of one of the 20th century's leading pioneers.
![]() Seeing by Wireless
However, as the quality of the pictures increased to 180 and 240 lines definition, the need for a new transmitter became ever more apparent. In July 1933 Baird Television linked up to the more technically advanced system at Crystal Palace, although Baird himself spent most of his time experimenting and innovating at a private laboratory near his home in Sydenham, South London. Following the devastating fire at Crystal Palace in 1936, the Baird Company was forced to move to new premises. This did not deter Baird, who continued apace his quest for new ideas, achieving in 1938 a double first - the first transmission of colour pictures via radio link and showing those images for the first time to the public. Three thousand people at the Dominion Theatre, London saw these 'high definition' colour pictures which had been transmitted via the Crystal Palace South Tower.
![]() Baird with his 600 line colour television receiver in 1940
![]() Stereoscopic colour pictures from 1941
Ray approached Quantel pioneers in the digital television field - to design and produce front and back covers for the publication, which the company was happy to do. 'Seeing by Wireless' will soon be available to museums and enthusiasts all over the world and provides a fitting tribute to a man who has had an immeasurable influence on the lives of ordinary people world-wide. Using a wide variety of source material including black and white prints, colour prints, transparencies and line drawings, Quantel graphic artists David Sewell and David Cardener employed the Printbox digital page-production system to scan in the images at high resolution and re-size, retouch, colour correct and colour match them so that the finished result recreated the 'feel' of the original pictures.
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