Fed Sq, Melbourne
Film critic and writer Luke Buckmaster questions movie frame rates after Ang Lee's Billy Lynn's Long Halftime Walk
Stories from the Registrar
Joanna di Mattia delves into the bubbling domestic discontent that permeates Farhadi's films
A curatorial glimpse behind the screen
A short history of the influential Indian film studio
Writer Nick Bugeja analyses how La La Land is an evocation of a promising present and a past cloaked in nostalgia
Future Critics analyses the gritty crime drama
Books and authors to get you inside the mind of this enigmatic creator
Professor Leon van Schaik responds to Philippe Parreno: Thenabouts
How do you preserve and exhibit objects that are over 70 years old?
Future critic writes from the AIDC
Associate producer Arieh Offman talks with artist Jisun Kim about her bold new video work
For over 35 years, the cinema of Jim Jarmusch has disrupted the monotony of Hollywood blockbusters
Film critic and writer Sarah Ward takes a look at the best use of Bowie's music across film and television
Melbourne Cinémathèque President Eloise Ross looks at the restoration of King of Jazz
We take a look at LGBTQI+ characters that should exist and the issues with those that do.
Scorsese's passion for music is almost as fervent as his love for cinema, so it's no wonder he's mastered the method of combining the two
From the designer's desk
Preserving our cinematic treasures
Creative Response Series featuring award-winning sound designer Emma Bortignon
What happens when eight young creatives reimagine the moving image?
The female characters in Studio Ghibli films aren't your usual fairy tale heroines