Franco-Turkish director Deniz Gamze Ergüven's feature film debut – nominated for the Best Foreign Language Film Academy Award – paints a deeply affecting portrait of sisterhood and solidarity.
Exhilarating. A bracing portrait of a young girl and her teenage sisters coming of age…brilliantly evokes the sensual world of burgeoning womanhood.
In a village in northern Turkey, Lale (Günes Sensoy) and her four older sisters celebrate the end of the school year at the beach with some teenaged boys. The perceived immodesty of their actions causes repercussions at home.
The orphaned girls’ domineering uncle over-reacts, confiscating all "instruments of corruption" including the girls’ mobile phones and computers. Classes on housework and cooking replace formal studies and marriages are arranged for the older girls. As their innocence is traded for assumed guilt and shame and their home becomes a fortress, the fierce bond between the girls emboldens the younger ones to rebel. Driven by an innate desire for autonomy, the sisters conspire to resist the limits imposed upon them and strive for a degree of self-determination.
Winner of the European Discovery of the Year Award at the European Film Awards, five French Césars (including the Best Original Music César for Warren Ellis) and the Europa Cinemas prize at the Cannes Film Festival, Deniz Gamze Ergüven's remarkably assured feature film debut is anchored by naturalistic performances from a largely unknown cast of talented newcomers.
Mustang is referenced in Women Make Film in chapters on Bodies and Love.
READ: Deniz Gamze Ergüven: Women are perceived through a filter of sexualisation
Sophie Monks Kaufman, Little White Lies, May 2016
READ: Deniz Gamze Ergüven: For women in Turkey it’s like the middle ages
Rachel Cooke, The Guardian, May 2016
14 Jan – 25 Mar 2021
Mature themes, sexual references and violence