Left to right: Alan S. Kim, Steven Yeun, Noel Cho and Yeri Han
Left to right: Alan S. Kim, Steven Yeun, Noel Cho and Yeri Han
Minari (2020)

ACMI presents


Lee Isaac Chung | U.S.A. | | PG

Critically acclaimed and beloved by audiences worldwide, Minari follows a Korean–American family as they move to a tiny Arkansas farm in search of their own American Dream.

For all the struggle that takes place in this movie, it is its quiet grace that you most remember. 'Minari' shares its secrets with a whisper, and as it unfolds, you find yourself leaning into it, enraptured.

Los Angeles Times

“This isn’t what you promised,” says Monica (Yeri Han) in dismay as the Yi family arrives at their new home. The young immigrant family have upended their lives in California to pursue patriarch Jacob’s (Steven Yuen) dream of farming the land in the rugged Ozarks, however a rickety mobile home and unforgiving terrain are the first hints that pastoral bliss will not come easily.

Despite the challenges of their rustic new life, Yi siblings Anne (Noel Kate Cho) and David (Alan Kim, delightful at just 7 years old) adjust as best they can, and their tender efforts to dissolve the tension between their parents are a delicate balance of humour and heartache.

The arrival of grandmother Soonja (Korean industry veteran Yuh-Jung Youn, who swept the awards circuit for this role, culminating in an historic Oscar win for Best Supporting Actress) from Korea simultaneously stabilises and shakes-up the Yi family dynamic. Soonja is the opposite of a good American grandmother – she watches TV in her underwear, takes up half of David’s bedroom, and, unforgivably, “She smells like Korea!” as David wails in despair.

Walking, never running (due to a heart defect), in child-sized cowboy boots, David’s perspective of the events in Minari shows the undeniable resilience of family and what really makes a home. Parallels have been drawn between Minari and the social dramas of Hirokazu Kore-eda, as both filmmakers lend an authentic emotional gravity to the lives of children.

Made on a $2 million budget and drawing heavily from writer-director Lee Isaac Chung’s early life, when his family went through a similar process of uprooting their lives and moving to the country, Minari is a tender rumination on faith, love and the search for identity and acceptance.

Format: DCP
Language: In Korean and English with English subtitles
Source: Madman Entertainment
Courtesy: Madman Entertainment
Duration: 115 min


11–21 Jun 2021

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115 mins



Mild themes & coarse language


Cinema 1, Level 2
ACMI, Fed Square

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READ: Youn Yuh-jung Comes to America
E. Alex Jung, Vulture, Mar 2021

READ: Lee Isaac Chung on Minari
Violet Luca, Sight & Sound, Mar 2021

READ: Review: Minari
Kambole Campbell, Little White Lies, Mar 2021



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