Described by Time Out as a “gut-wrenching tale of emotional rivalries” and by the Guardian as an “Oedipal farce”, Cocteau’s claustrophobic adaptation of his own play invites a wide spectrum of responses.
Five characters, two sets, astonishing close-ups and metronomically precise editing highlight the story of a young man (Jean Marais) who finds himself battling both his parents (Yvonne de Bray and Marcel André), each for vastly different reasons, when he announces that he’s fallen in love. Gabrielle Dorziat and Josette Day round out the ensemble of heightened, stylised performances.
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Australia's longest-running film society screens significant works of international cinema in the medium they were created, the way they would have originally screened.
Melbourne Cinémathèque is self-administered, volunteer-run, not-for-profit and membership-driven.