The Boy From Mars (2003)

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lights in a field in the evening

 

In 2001 Parreno was invited by his friend the artist Rirkrit Tiravanija to build a common space for The Land project in Chiang Mai, Thailand: a building that generates its own energy through a pulley system run by buffalo. Designed by architect François Roche, it was constructed solely in order to be filmed. Points of light appear then fly away silently; the film searches for the origin of these bursts of energy, then gets lost, becomes fascinated by reflections of the sun, takes in frames full of sky, then lingers on the buffalo tethered to this strange building. In the end the screen goes black and Devendra Banhart sings. It was the building that generated the electricity needed to make the film. This is the story of a film that produced a building, architecture that provided the scenario for a film and a film that produced a song. The film is one element of a two-headed mutant, one half of inseparable twins, reality and the image, who share the same body. Science fiction or rather architecture fiction.

 

 

Colour, Dolby SR sound