Fire of time

United States, 2000

Artwork

Urban development in Barcelona has all but destroyed the once vibrant Barrio Chino where the nights were days and the days were long. This is an evocative film shot through windows, on street corners and in small rooms. People, clouds, and the swift tail lights of cars glide past and through, as fleeting traces of the passage of time. And as this one working-class Red Light district is transformed and changed by the process of gentrification, the former residents appear as ghosts, their prescence - as graffiti, as shadows - a reminder of the real history of the city. Larger forces cause buildings and neighbourhoods to vanish but they are rebuilt again in memories, worn photographs and in light. Adam Cohen’s handling of light gives people the substance of phantoms and their passages through the half deserted streets evoke Eliot, Proust, and Chris Marker. Sounds of this world are orchestrated with cello, organ and guitar to form a profoundly beautiful work about memory, longing and loss.

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Collection

In ACMI's collection

Credits

creator

Adam Cohen

Duration

00:27:15:15

Production places
United States
Production dates
2000

Collection metadata

ACMI Identifier

B1000187

Language

English

Audience classification

unclassified

Sound/audio

Sound

Colour

Colour

Object Types

Artwork

Materials

Single channel moving image, colour and audio

Holdings

Digital Betacam [PAL]; Master

Digital Betacam [PAL]; Sub-master

VHS [PAL]; Reference - timecoded

MOV file ProRes4444; Digital Preservation Master - overscan

MPEG-4 Digital File; ACMI Digital Access Copy - overscan

Please note: this archive is an ongoing body of work. Sometimes the credit information (director, year etc) isn’t available so these fields may be left blank; we are progressively filling these in with further research.

Cite this work on Wikipedia

If you would like to cite this item, please use the following template: {{cite web |url=https://acmi.net.au/works/107974--fire-of-time/ |title=Fire of time |author=Australian Centre for the Moving Image |access-date=24 March 2025 |publisher=Australian Centre for the Moving Image}}