Catherine and Peter's Dacha costumes

United Kingdom, 2020

Object
Photograph by Egmont Contreras. Editing by Lauren Dunn.

The Great‘s two main characters may be married, but Peter and Catherine do not get along, something that’s routinely expressed through costume. In almost every scene, they’re in opposing colours: Catherine in pale greens and yellows that suggest her innocence before joining the Russian court, which Peter starkly contrasts in brooding jewel tones and darker colours. But in the episode “Meatballs at the Dacha”, for a brief moment, they’re aligned, in both story and costume. Each want to broker peace with Sweden, and Catherine’s political savvy is an invaluable counterpoint to Peter’s reckless bravado. Is it love? No, but it might be a winning strategy.

Peter wearing his Dacha costume during negotiations with the Swedish king. Warning: strong language.

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Collection

Not in ACMI's collection

Previously on display

26 April 2022

ACMI: Gallery 1

Credits

costume designer

Emma Fryer

Production places
United Kingdom
Production dates
2020

Collection metadata

ACMI Identifier

Curatorial section

The Story of the Moving Image → Moving Worlds → MW-04. Costume Design → MW-04-C01

Object Types

Costume/costume element

Collected

4188 times

Cite this work on Wikipedia

If you would like to cite this item, please use the following template: {{cite web |url=https://acmi.net.au/works/120047--catherine-and-peters-dacha-costumes/ |title=Catherine and Peter's Dacha costumes |author=Australian Centre for the Moving Image |access-date=24 July 2026 |publisher=Australian Centre for the Moving Image}}