Weaponising glamour

Film
Photograph by Mark Ashkanasy

Josephine Baker shakes, shimmies and twirls in front of a White chorus line, her smile beaming across the stage. In another scene, her eyes dart back and forth mischievously, proving she’s just as playful with her face as she is with her body.

Baker crafted her carefree choreography in the US but found fame in Paris, where she moved in 1925 to escape racial discrimination. When she performed in a risqué skirt of bananas and a beaded necklace, she became a symbol of the Jazz Age flapper. Her provocative costumes and distinct dancing made her a fashion icon and she was the first African American to lead a feature film, Sirens of the Tropics (1927). Though the film and Baker’s ‘banana dance’ conjured White colonial fantasies, her performances parodied the sexualisation of Black women.

Throughout her life, she fought discrimination, championed civil rights and shattered racial barriers. When Germany invaded France in World War II, Baker weaponised her glamour to defend her adopted home. After spying on German officers, she smuggled top-secret messages in her underwear unsuspected. Back in America, she wouldn’t perform for segregated audiences and was the only woman who spoke alongside Martin Luther King Jr in the 1963 March on Washington.

Tribute to a trailblazer

Josephine Baker’s legendary style has inspired countless superstars, including Beyoncé, Rihanna and Diana Ross. When Zendaya attended the 16th Annual Chrysalis Butterfly Ball, she channelled Baker’s sartorial flair and paid homage to the icon in this form-fitting gown featuring dropped pearl sleeves. The glammed-up look is a far cry from the maroon hoodie her character Rue wears in Euphoria (2019–), but her performance still captured attention. Zendaya’s performance as the troubled teenager helped her become the youngest person to win the Lead Actress Emmy in 2020.

Why France is declaring Josephine Baker a national hero - BBC News

How are these works connected?

Explore this constellation

Related articles

Related works

Content notification

Our collection comprises over 40,000 moving image works, acquired and catalogued between the 1940s and early 2000s. As a result, some items may reflect outdated, offensive and possibly harmful views and opinions. ACMI is working to identify and redress such usages.

Learn more about our collection and our collection policy here. If you come across harmful content on our website that you would like to report, let us know.

Collection

Not in ACMI's collection

Previously on display

1 October 2023

Australian Centre for the Moving Image

Collection metadata

ACMI Identifier

193592

Curatorial section

Goddess → Weaponising glamour → Josephine Baker

Collected

17843 times

Please note: this archive is an ongoing body of work. Sometimes the credit information (director, year etc) isn’t available so these fields may be left blank; we are progressively filling these in with further research.

Cite this work on Wikipedia

If you would like to cite this item, please use the following template: {{cite web |url=https://acmi.net.au/works/122029--weaponising-glamour/ |title=Weaponising glamour |author=Australian Centre for the Moving Image |access-date=5 May 2025 |publisher=Australian Centre for the Moving Image}}