Surveys the films of Russian director Sergei Eisenstein, by presenting extracts from six of his films, with introductory notes (there is no commentary on the soundtrack). These extracts are used as examples to emphasise Eisenstein’s technique of “montage”. The first extract is from BATTLESHIP POTEMKIN (showing the sequence where Vakulinchuk is being mourned as he lies on the mole, after having been shot by an officer during the mutiny on the Potemkin). Other extracts are from OCTOBER (Kerensky mounting the stairs and entering the Royal apartments); THE GENERAL LINE, THE OLD AND THE NEW (Marfa attempting to plough with her cow); TIME IN THE SUN (the funeral sequence from the first episode); ALEXANDER NEVSKY (the beginning of the battle on ice); IVAN THE TERRIBLE (at the end of the film where the people of Moscow beg Ivan to return). This film is compiled by Marie Seton
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Collection
In ACMI's collection
Credits
Collection metadata
ACMI Identifier
320603
Language
English
Subject categories
Advertising, Film, Journalism, Mass Media & TV → Motion picture authorship
Advertising, Film, Journalism, Mass Media & TV → Motion pictures
Advertising, Film, Journalism, Mass Media & TV → Motion pictures - Appreciation
Advertising, Film, Journalism, Mass Media & TV → Motion pictures - Excerpts
Advertising, Film, Journalism, Mass Media & TV → Motion pictures - History
Advertising, Film, Journalism, Mass Media & TV → Motion pictures - Production and direction
Advertising, Film, Journalism, Mass Media & TV → Motion pictures - Soviet Union - History
Advertising, Film, Journalism, Mass Media & TV → Realism in motion pictures
Crafts & Visual Arts → Art and motion pictures
Sound/audio
Sound
Colour
Black and White
Holdings
16mm film; Access Print (Section 1)