Lon Chaney: The Hunchback of Notre Dame

United States, 1959

Film
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Episode of Series “History of the Motion Picture”.
A condensed version of the classic silent film of the Victor Hugo novel which was a masterpiece of film-making. Shows details of Lon Chaney’s elaborate makeup for his role as the hunchback Quasimodo and ends with an epilogue in tribute to the remarkable star. Dubbed “The man of a thousand faces”, Chaney’s portrayal of Quasimodo is not the only outstanding feature of this production. The set which took a year to build, the enormous cast of extras and night photography adds to the epic grandeur of the film which also starred Brandon Hurst, Nigel De Brulier and Patsy Ruth Miller as Esmeralda.

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Collection

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Credits

producer

Paul Killiam

producer/director

Saul J. Turell

production company

Sterling Educational Films

Duration

00:26:03:00

Production places
United States
Production dates
1959

Appears in

History of the Motion Picture

Group of items

History of the Motion Picture

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Collection metadata

ACMI Identifier

321469

Language

English

Subject categories

Adaptations

Advertising, Film, Journalism, Mass Media & TV → Motion pictures - Production and direction

Advertising, Film, Journalism, Mass Media & TV → Motion pictures - Study and teaching

Education, Instruction, Teaching & Schools → Motion pictures - Study and teaching

Feature films

Feature films → Feature films - United States

Horror

Literature → French literature - Film and video adaptations

Literature → Literature

Music & Performing Arts → Theatrical makeup

Sound/audio

Sound

Colour

Black and White

Holdings

16mm film; Preservation Print (Section 5)

16mm film; Access Print (Section 1)

16mm film; Limited Access Print (Section 2)

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Cite this work on Wikipedia

If you would like to cite this item, please use the following template: {{cite web |url=https://acmi.net.au/works/68679--lon-chaney-the-hunchback-of-notre-dame/ |title=Lon Chaney: The Hunchback of Notre Dame |author=Australian Centre for the Moving Image |access-date=9 August 2022 |publisher=Australian Centre for the Moving Image}}