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Here are pyrotechnics of the keyboard, but with only a camera to “play the tune.” To make this film, Norman McLaren employed novel optical techniques to compose the piano rhythms of the sound track. These he then moved, in multicolour, onto the picture area of the screen so that, in effect, you see what you hear. It is synchronisation of image and sound in the truest sense of the word. (Eight awards, including San Francisco; Barcelona; Melbourne.)
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How to watch
Collection
In ACMI's collection
Credits
Collection metadata
ACMI Identifier
010512
Subject categories
Advertising, Film, Journalism, Mass Media & TV → Film festivals - Australia - Melbourne - Awards
Animation → Animated films - Canada
Sound/audio
Sound
Colour
Colour
Holdings
16mm film; Preservation Print (Section 5)
16mm film; Access Print (Section 1)
16mm film; Limited Access Print (Section 2)