Living tomorrow. No. 108

United Kingdom, 1972

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Cinemagazine items: Hydroponic production of turf; a tooth transplant at Sunderland General Hospital; an amazing demonstration of the properties of Barrier Cream, involving an otherwise unprotected human hand immersed in hydrochloric acid; paints which change color and can be used as very accurate temperature gauges in engines.

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Collection

In ACMI's collection

Credits

production company

British Information Services

Duration

00:13:53:00

Production places

United Kingdom

Production dates

1972

Collection metadata

ACMI Identifier

323460

Language

English

Subject categories

Agriculture, Business, Commerce & Industry → Hydroponics

Archival, Cinemagazines & Newsreels

Archival, Cinemagazines & Newsreels → Archival materials

Archival, Cinemagazines & Newsreels → Cinemagazines

Climate, Environment, Natural Resources & Disasters → Hydroponics

Climate, Environment, Natural Resources & Disasters → Temperature

Documentary

Documentary → Documentary films - Great Britain

Food, Health, Lifestyle, Medicine, Psychology & Safety → Dental care

Food, Health, Lifestyle, Medicine, Psychology & Safety → Teeth - Care and hygiene

Hobbies, Recreation & Sport → Hydroponics

Mathematics, Science & Technology → Chemical reactions

Mathematics, Science & Technology → Technological innovations

Mathematics, Science & Technology → Temperature

Short films

Short films → Short films - Great Britain

Sound/audio

Sound

Colour

Black and White

Holdings

16mm film; Access Print (Section 1)

Please note: this archive is an ongoing body of work. Sometimes the credit information (director, year etc) isn’t available so these fields may be left blank; we are progressively filling these in with further research.

Cite this work on Wikipedia

If you would like to cite this item, please use the following template: {{cite web |url=https://acmi.net.au/works/76279--living-tomorrow-no-108/ |title=Living tomorrow. No. 108 |author=Australian Centre for the Moving Image |access-date=28 November 2022 |publisher=Australian Centre for the Moving Image}}