The Work That Was. Parts 1 & 2

Australia, 1979

Film
Please note

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Who Pays the Price? (Sydney, 1979, 30 min.): Looks at the possible social effects of technological change in the context of Australia’s economic system. “Futures” (Sydney, 1979, 30 min.): Looks at the decline of labour intensive manufacturing industries in Australia, unemployment in country towns, and the prospects of the coming mineral boom.

Credits

co-producers/directors

Tristram Miall

Peter Wilkinson

Duration

01:00:00:00

Production places
Australia
Production dates
1979

Appears in

The Work That Was

Group of items

The Work That Was

Explore

Collection metadata

ACMI Identifier

32816

Language

English

Subject categories

Economics, Philosophy, Politics, Religion & Sociology → Australia - Economic conditions

Economics, Philosophy, Politics, Religion & Sociology → Employees - Effect of technological innovations on

Economics, Philosophy, Politics, Religion & Sociology → Technological unemployment

Economics, Philosophy, Politics, Religion & Sociology → Technology - Social aspects

Feature films

Feature films → Feature films - Australia

Mathematics, Science & Technology → Employees - Effect of technological innovations on

Mathematics, Science & Technology → Technological unemployment

Mathematics, Science & Technology → Technology - Social aspects

Sound/audio

Sound

Colour

Colour

Holdings

VHS; Access Print (Section 1)

Betamax; Access Print (Section 1)

MPEG-4 Digital File; ACMI Digital Access Copy - presentation

MOV file ProRes4444; Digital Preservation Master - presentation

Please note: this archive is an ongoing body of work. Sometimes the credit information (director, year etc) isn’t available so these fields may be left blank; we are progressively filling these in with further research.

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If you would like to cite this item, please use the following template: {{cite web |url=https://acmi.net.au/works/77042--the-work-that-was-parts-1-2/ |title=The Work That Was. Parts 1 & 2 |author=Australian Centre for the Moving Image |access-date=23 July 2021 |publisher=Australian Centre for the Moving Image}}