Linderidge 137

United Kingdom, 1980

Film
Please note

Sorry, we don't have images or video for this item.

Investigates the conventions of storytelling and suspense. The central theme examines the process whereby women in film are represented as the victims of threat and aggression, as the object of the camera’s voyeuristic gaze.

Credits

producer/director

Paul Denby

production company

New Cinema Workshop

Language

English

Duration

00:16:43:00

Colour

Colour

ACMI Identifier

33426

Subject categories

Advertising, Film, Journalism, Mass Media & TV → Film criticism

Advertising, Film, Journalism, Mass Media & TV → Motion pictures - Plots, themes, etc

Advertising, Film, Journalism, Mass Media & TV → Motion pictures - Study and teaching

Armed Forces, Military, War & Weapons → Victims

Courtroom, Crime, Espionage & Thrillers

Courtroom, Crime, Espionage & Thrillers → Suspense

Crime, Espionage, Justice, Police & Prisons → Victims

Documentary

Documentary → Documentary films - Great Britain

Economics, Philosophy, Politics, Religion & Sociology → Victims

Economics, Philosophy, Politics, Religion & Sociology → Women

Economics, Philosophy, Politics, Religion & Sociology → Women - Social conditions

Education, Instruction, Teaching & Schools → Motion pictures - Study and teaching

Family, Gender Identity, Relationships & Sexuality → Gender identity

Family, Gender Identity, Relationships & Sexuality → Voyeurism

Family, Gender Identity, Relationships & Sexuality → Women

Food, Health, Lifestyle, Medicine, Psychology & Safety → Psychology

Food, Health, Lifestyle, Medicine, Psychology & Safety → Sex (Psychology)

Food, Health, Lifestyle, Medicine, Psychology & Safety → Stereotype (Psychology)

Food, Health, Lifestyle, Medicine, Psychology & Safety → Voyeurism

Food, Health, Lifestyle, Medicine, Psychology & Safety → Women

Literature → Storytelling

Short films

Short films → Short films - Great Britain

Sound/audio

Sound

Holdings

16mm film; Access Print (Section 1)

Please note: this archive is an ongoing body of work. Sometimes the credit information (director, year etc) isn’t available so these fields may be left blank; we are progressively filling these in with further research.

Cite this work

If you would like to cite this item, please use the following template: {{cite web |url=https://acmi.net.au/works/77647--linderidge-137/ |title=Linderidge 137 |author=Australian Centre for the Moving Image |access-date=25 January 2021 |publisher=Australian Centre for the Moving Image}}