At the time of “Strike”, his first film, Eisenstein was a director of the Proletkult Theatre, an organisation with a boldly original technique of acting which led him logically to the medium of the cinema. The film has little formal plot in the conventional sense; a characteristic brilliance of wit and image association here achieves an almost surrealistic intensity. The photography often achieves effects reminiscent of the ‘metaphysical objects’ school of painting.
Credits
Collection metadata
ACMI Identifier
324948
Subject categories
Economics, Philosophy, Politics, Religion & Sociology → Strikes and lockouts
Experimental
Experimental → Experimental films - Soviet Union
Feature films
Feature films → Feature films - Soviet Union
Silent films
Sound/audio
Silent
Colour
Black and White
Holdings
VHS; Access Print (Section 1)