A chronicle of the last months of Lulu’s life has been extracted from Wedekind’s play with more emphasis on thematic and psychological continuity than dramatic unity. Pabst portrays a gallery of characters ranging from the masochistic Schon to the compulsively psychotic Jack the Ripper - and Countess Geschwitz, the screen’s first unequivocal lesbian - with psychological acuity. Lulu, guileless and sexually ambiguous, is to Tony Rayns “the literal calm eye of the storm”. Further, Brooks’s performance is “passive” yet vital, suspended with candour and precision between innocence and childishly fleeting - but intense - emotions. Her emotional vitality and Pabst’s unobtrusive cutting on action make Pandora the most “modern” of silent classics. Cast includes Louise Brooks, Fritz Kortner, Franz Lederer, Carl Goetz, Carl Raschig and Alice Roberts. Adapted from Wedekind’s plays “Erdgeist” and “Die Buchse der Pandora”. Review by Tony Rayns, Monthly Film Bulletin, May 1974.
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Collection
In ACMI's collection
Credits
Collection metadata
ACMI Identifier
311434
Language
English
Audience classification
PG
Subject categories
Advertising, Film, Journalism, Mass Media & TV → Expressionism in motion pictures
Agriculture, Business, Commerce & Industry → Prostitutes - Personal narratives
Economics, Philosophy, Politics, Religion & Sociology → Prostitutes
Family, Gender Identity, Relationships & Sexuality → Gay and lesbian studies
Family, Gender Identity, Relationships & Sexuality → Prostitutes - Personal narratives
Feature films → Feature films - Germany
Food, Health, Lifestyle, Medicine, Psychology & Safety → Obsessive-compulsive neurosis
Sound/audio
Silent
Colour
Black and White
Holdings
VHS; Access Print (Section 1)