Writer/director Michael Cuesta’s feature film debut deals with the difficult, often emotive, subject of paedophilia with compassion and sensitivity combined with an air of realism and awareness of teenage sexuality and the complexities of life that often face young male adolescents as they forge their way into adulthood. L.I.E., which stands for Long Island Expressway, is a symbolic reminder to 15 year-old Howie (Paul Franklin Dano) who has recently lost his mother through a car accident on the L.I.E. and is struggling to cope emotionally with her loss. His father Marty (Bruce Altman) who finds solace in a shallow based-on-sex relationship with his new girlfriend is also on the run from the law through his corrupt business practices and barely has time for his lonely grieving son. Disillusioned and confused, Howie forms a bond with three rather rebellious and streetwise dysfunctionals who spend more time out of school than in, robbing local houses to finance their habits. The relationship between Howie, and Gary (Billy Kay), who unbeknownst to Howie sometimes works as a male prostitute, evolves into something beyond friendship, causing Howie to reflect on his sexuality and his feelings towards Gary. But the issue of Howie’s sexuality soon takes another path when through one of his robbery escapades with Gary, he meets middle-aged ex-marine “Big John” Harrigan (Brian Cox) - a regular customer of Gary’s who has a penchant for boys in their early teens. When Gary runs off to California, and his father is arrested by the FBI, Howie finds an unexpected degree of emotional support in his relationship with the rather curious and compassionate paedophile who seemingly understands Howie’s tenuous and helpless situation. A very moving story with moments of warmth and humour but which also delves into the murkier side of urban life and paedophilia. In the director’s words “It was vital the audience could relate to Big John, even sympathise with him, but I tried very hard to make sure his intentions were constantly blurred”. Superb cinemaphotography by Romeo Tirone and outstanding performances by the lead actors, makes this multi-award winning film compelling viewing, both emotionally and psychologically. (Awards: Edinburgh 2001, Stockholm 2001, Independent Spirit Awards 2002) [End of file]
Content notification
Our collection comprises over 40,000 moving image works, acquired and catalogued between the 1940s and early 2000s. As a result, some items may reflect outdated, offensive and possibly harmful views and opinions. ACMI is working to identify and redress such usages.
Learn more about our collection and our collection policy here. If you come across harmful content on our website that you would like to report, let us know.
How to watch
Collection
In ACMI's collection
Credits
Collection metadata
ACMI Identifier
318588
Languages
English
English
Audience classification
R (18+)
Subject categories
Advertising, Film, Journalism, Mass Media & TV → Film festivals - Scotland - Edinburgh - Awards
Advertising, Film, Journalism, Mass Media & TV → Motion pictures - Awards
Crime, Espionage, Justice, Police & Prisons → Sex crimes
Economics, Philosophy, Politics, Religion & Sociology → Adolescence
Economics, Philosophy, Politics, Religion & Sociology → Juvenile delinquency
Family, Gender Identity, Relationships & Sexuality → Adolescence
Family, Gender Identity, Relationships & Sexuality → Fathers and sons
Family, Gender Identity, Relationships & Sexuality → Interpersonal relations in adolescence
Family, Gender Identity, Relationships & Sexuality → Relationships
Family, Gender Identity, Relationships & Sexuality → Sex crimes
Family, Gender Identity, Relationships & Sexuality → Sexual attraction
Family, Gender Identity, Relationships & Sexuality → Teenage boys - Sexual behavior
Family, Gender Identity, Relationships & Sexuality → Teenagers - Family relationships
Family, Gender Identity, Relationships & Sexuality → Teenagers - Sexual behavior
Sound/audio
Sound
Colour
Colour
Holdings
DVD; Access Print (Section 1)