Works explorer

Albert and David Maysles filming Big Edie and Little Edie in Grey Gardens

United States, 1975
object

Dziga Vertov’s kino-pravda (“film truth”) concept was premised on the camera’s ability to reveal truth. It inspired both cinéma vérité and direct cinema, whic..

Read more

Algorithmically related works by description:

Agnès Varda in Les Glaneurs et La Glaneuse (The Gleaners and I)

France, 2000
Similarity: 82%

Mikhail Kaufman in Dziga Vertov’s Chelovek s kinoapparatom (Man with a Movie Camera)

Russia, 1929
Similarity: 82%

Grey Gardens

United States of America, 1975
Similarity: 75%

The Man with a movie camera: fragments from a cameraman's diary

Soviet Union, 1929
Similarity: 74%

Documenting reality

Similarity: 73%

Cinema verite: defining the moment [Widescreen]

Canada, 1999
Similarity: 72%

Man with a movie camera [Special edition]

Soviet Union, 1929
Similarity: 72%

Visions of light

United States, 1992
Similarity: 71%

Camera Case

Similarity: 71%

Memory Garden

Australia, 2020
Similarity: 71%

The Man with the movie camera = Chelovek s kinoapparatom

Soviet Union, 1928
Similarity: 71%

Hollywood without makeup

United States, 1984
Similarity: 70%

Documentary: 1935 - 1955

United States, 1978
Similarity: 70%

My father's camera

Canada, 2000
Similarity: 70%

Writing for real

Australia, 1988
Similarity: 70%

People on Sunday

Germany, 1929
Similarity: 70%

Camera

United States, 1973
Similarity: 69%

In the street

United States, 1947
Similarity: 69%