Storyboards help filmmaking teams visualise a film and how to tell the film’s story through images. In a film, the audience follows a story not just through character's dialogue, but also through their actions. Even objects and settings help tell a story.
You can make decisions about how things will look by creating a storyboard. Each panel in a storyboard represents a camera shot and therefore what the camera will see and show. You do not have to recreate every frame of a film in a storyboard; that would take forever!
Create a short storyboard. Before that though you should familiarise yourself with all the different shot types, so follow the link below and read through.
You can also complete one or all of the activities at the bottom of the shot types page before starting your storyboard task.
Shot types - extended
What you’ll need
- a script
- a shot list
Don't have one? Don't worry.
We've made a short one-page script called The Deal, as well as a shot list for that script here.
We recommend using our script and shot list to begin with.
Step 1: Read the script and shot list provided, then pick out eight key shots. These shots might be the ones you think are most important or the ones that stand out to you. This might be because you can visualise them easily, or you think what’s being shown in the shot is particularly important to the story.
You’ll use these shots to create a short storyboard. Short just means not every shot in the script will be illustrated.
Aim for variety in the shots you pick, for example, a combination of close-ups, long shots and more. You don’t want your storyboard to be full of shots that are exactly the same.
Step 2: Once you’ve picked your shots, download and print the storyboard template below, but before you start illustrating, read the box below about composition.
Composition refers to how things such as setting, characters and objects are shown or placed in the camera frame. When you compose a shot in a storyboard, you are deciding what the camera should show the audience, and where everything will be placed within the shots.
As you plan your storyboard panels, think carefully about the shot type you're using, what you need to show in that shot, and where you want to position everything and everyone.
Your storyboards don’t have to be works of art. They just need to show the shot type, and what you want in the shot. In fact, they can be simple black and white sketches with stick figure characters.
Look at the examples below. They're simple, but good enough to get across a sense of what's happening, the layout of the setting, and the body language of the characters.
Another great way of seeing what storyboards are all about is to search for storyboards online from a film you really like, You could take note of the shot types used and the how the storyboard artist has composited their panels.
Step 3: Start illustrating your storyboard panels with the above in mind. Before you draw your panels, fill out the notes in the section below each below panel. This will include any dialogue that is being spoken in the shot, a short description of the action that is occurring in the panel, and also the shot type you're using. Having this information in front of you as you sketch your panels make it's clear what you need to include.
Step 4: Once you've finished, present your storyboard to someone and talk them through your storyboard. What is happening in each panel? Why did you choose those eight shots? Did you have any problems with composition or shot types? Which is your favourite panel that you've drawn, and why?
Next steps: if you used our script and shot list, try developing your own short script and creating a new shot-list for that script. Then, turn your vision into a storyboard.
Well done, go back to the Film It main page for more modules or try Storyboard for the advanced if you'd like to create more complex storyboards.