Raumlichtkunst: Respond and Reflect

Exhibited in ACMI’s Gallery 2, Raumlichtkunst (space-light-art) is a reconstruction of Oskar Fischinger’s multiple-screen film events, first shown in Germany in 1926, and restored by the Center for Visual Music (CVM) in Los Angeles.

Oskar Fischinger (1900-1967) was an artist who created abstract art that combined film and animation with music to make a direct connection with viewers. His animations are described as visual music because they help people to see another dimension of music.

In 1926, he began performing multiple-projector cinema shows featuring his film and animation works. He used up to five 35mm film projectors, colour filters and slides and music to create an immersive cinematic environment. The films that make up the work were screened at the same time in the performance space with live experimental percussion responding to them. Some viewers may become immersed in the dynamic mix of sight and sound, and 'feel' rather than think about what they see and hear.

Working with Fischinger’s original 1920s nitrate film, CVM restored the 35mm film, transferred it to HD, digitally restored the colour, and reconstructed this three-screen version of his performances.  CVM chose two versions of ‘Double Music’ by John Cage and Lou Harrison, and ‘Ionisation’ by Edgard Varèse for the striking soundtrack. Fischinger performed several different versions of these multiple projector shows in the late 1920s and this re-creation does not strive to represent any one specific performance, rather the concept and effect of Fischinger's series of shows.

These films were made many years ago using rolls of nitrate film. To edit the films these rolls had to be manually cut and stuck together. To create the imagery for Raumlichtkunst, Fischinger used a range of techniques including 3-D object animation, patterns created with wax and coloured liquids, and hand-drawn animation.. These were all photographed frame by frame. It would have been a very slow process.

To make a version of Raumlichtkunst had to make decisions about which pieces of film should be restored and used, how to enhance or restore the colours, and which music to pair it with. the Center for Visual Music had to make decisions about what pieces of film to restore, how to enhance or alter the colours and which music to pair it with. The restoration captures an aspect of Fischinger’s ideas and work for Raumlichtkunst but, while there are newspaper reviews with some descriptions, there is no visual or audio documentation of the original performances.

Fischinger’s films and animations have influenced a range of different artworks and artforms today. He has been dubbed the father of visual music, the grandfather of music videos and the great grandfather of motion graphics. Many artworks have been influenced by his work, including a movement called expanded cinema in which moving image artists used multi-screen projections to create more participatory roles for viewers.

Respond

1. Fischinger was inspired to create abstract visual imagery in response to music. Close your eyes and listen to the music. What do you hear? Think about how the sound makes you feel. Is it loud or soft? Fast or slow? High or low? Flowing or staccato? What rhythms can you hear? Listen for at least 30 seconds before you begin to draw. Keeping your eyes closed, use paper and pencil to draw freely to the music. Don’t think about what the picture looks like -- just enjoy the process.
2. Watch the patterns and shapes in Raumlichtkunst. Put your pencil to paper and try to capture aspects of these patterns or their movement. Don’t look down at your paper! This can feel quite strange as you are drawing something that is constantly changing! Remember it is about process not outcome. Go with the flow of what you see. Be curious. It’s an experiment!
3. Choose a few elements that interest you and create a pattern from them. You may look at the paper as you draw this time.
4. Imagine what a live performance of Raumlichtkunst might have been like in the 1920s. How different would it have been from your experience of Raumlichtkunst at ACMI?

Reflect

1. How does this work make you feel? Explain how these feelings are evoked/drawn out by the work. Use some of these words in your description: shape, colour, texture, music, movement, rhythm, contrast, framing, movement, lighting.
2. Describe the experience of watching the three different films at the same time. What is the impact on you as a viewer of watching the three films being projected side by side in the dark space of the gallery?
3. What does the music add to the experience?
4. Imagine you were one of the first people to ever experience a performance of Raumlichtkunst. Write a short review of the work describing the experience for readers with no idea about the impact of this combination of multiple screens, abstract animation and music.
5. Fischinger created his animations using film and a range of materials such as wax and paint. What sort of work do you think Fischinger might have done if he was able to use the technologies we have today?
6. Can you think of an artwork or art form that might have been influenced by Fischinger’s work? Explain why you have chosen this work and the features or elements it shares with Raumlichtkunst.

Raumlichtkunst is generously supported by Naomi Milgrom AC and the Naomi Milgrom Foundation.