The Female Closet (1998) Barbara Hammer
The Female Closet (1998) Barbara Hammer
The Female Closet (1998) Barbara Hammer

The Melbourne Cinémathèque & ACMI present

The Female Closet

Barbara Hammer | USA | 1998 | Unclassified (15+)
Film

This event has ended and tickets are no longer available.

When

Wed 2 Nov 2022

Hammer’s fascinating collage of archival photographs, home movies and interviews explores the lesbian histories of women artists across the 20th century: American photographer Alice Austen, German Dada collagist Hannah Höch, and contemporary painter Nicole Eisenman. A careful examination of the museum as “closet”, and a thoughtful lesson on the importance of creating and archiving feminist artwork. Followed by Maya Deren’s Sink (2011) and A Horse is Not a Metaphor (2008), two late Hammer films that reflect on and revise concepts around death and cultural history and were both recipients of the Teddy Award for best short LGBTQI+ film at the Berlinale.

Format: DCP
Language: English
Source: Electronic Arts Intermix
Runtime: 59 mins

Event duration

59 mins

Rating

Unclassified (15+)

Where

Cinema 1, Level 2
ACMI, Fed Square

How to get there

Membership options

Mini membership
(3 consecutive weeks)
$27–$32

Annual memberships
$153–295

See full options

Also screening on Wed 2 November

About the program

Queering the Archive: The Cinema of Barbara Hammer (Wed 26 Oct – Wed 2 Nov)

Over a career spanning 50 years and more than 80 moving-image works, American filmmaker and visual artist Barbara Hammer (1939–2019) initiated a new kind of cinema made from a distinctively female and lesbian perspective, challenging the assumptions of mainstream culture and opening a discourse for marginalised groups in society. Her personal and experimental films sought to inspire social change and make largely invisible bodies, images and histories seen.

Read the full program notes
Barbara Hammer operating a camera

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Australia's longest-running film society, Melbourne Cinémathèque screens significant works of international cinema in the medium they were created, the way they would have originally screened.

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