Aboriginal History Archive

Film On display

The Aboriginal History Archive is Australia’s first collection of resources that documents the Black Power movement, resists colonial narratives and celebrates self-determination. Featuring thousands of photos, videos, campaign materials, media and manuscripts, it aims to reinterpret and reframe Australia’s Aboriginal political history.

Activists of the era saw the power of film and television to tell truth, advocate for justice and resist oppression, as well as galvanise other First Peoples into action. Their involvement in films, documentaries and later, during the 1980s, television, inadvertently allowed activists to champion the rights of First Peoples while simultaneously increasing representation in screen culture.

Curator Notes

The Black Power movement and Bruce McGuiness

In the late 1960s and early 70s, the Black Power movement emerged from cities and suburbs around Australia. It was “the most exciting and dynamic era in modern Indigenous history” according to historian and Aboriginal activist Professor Gary Foley, who gained widespread attention for protests during the period. Fellow activist, Koori leader and filmmaker Bruce McGuinness helped strengthen the intersection of activism and filmmaking with his politically charged Black Fire (1972).

Backroads and The Chant of Jimmie Blacksmith

In the late 1970s, non-Indigenous filmmakers wanting to support Indigenous Rights in Australia released films on Black Australia to mixed success. While Fred Schepisi’s controversial The Chant of Jimmie Blacksmith (1978) divided audiences and demonstrated how non-Indigenous storytellers could co-opt Indigenous stories to great detriment, Phillip Noyce’s Backroads (1977), made in close consultation with Gary Foley, was groundbreaking for tackling racism and giving First Peoples a say in how they were portrayed.

Dogs in Space and A Country Practice

The 1980s saw Indigenous activism and Black Power gain prominence in mainstream screen and pop culture, with activist Gary Foley appearing in the cult classic Dogs in Space (1986) and the family favourite TV show A Country Practice (1989). These pop culture moments, although brief, arguably reached a much wider audience than protests and demonstrate the power of screen culture as a tool of activism, social change and the ongoing struggle for Indigenous Rights.

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Collection

Not in ACMI's collection

On display until

10 November 2030

ACMI: Gallery 1

Collection metadata

ACMI Identifier

Curatorial section

The Story of the Moving Image → Moving Minds → MM-06. First Nations → MM-06-C01

Collected

70962 times

Please note: this archive is an ongoing body of work. Sometimes the credit information (director, year etc) isn’t available so these fields may be left blank; we are progressively filling these in with further research.

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If you would like to cite this item, please use the following template: {{cite web |url=https://acmi.net.au/works/117972--aboriginal-history-archive/ |title=Aboriginal History Archive |author=Australian Centre for the Moving Image |access-date=20 May 2024 |publisher=Australian Centre for the Moving Image}}