In the bitter cold winter of 1942, two partisan guerillas hunting for food are captured by Nazi troops. Locked up in a cell with three other peasants awaiting execution - a young girl, a mother and an old man - they face the tortured choice between collaboration or martyrdom. Filmed in illuminating black and white which recalls the poetics of silent Soviet cinema, in the frozen landscapes of Belorussia, “The Ascent” offers a passionate testament to the spiritual redemption possible through struggle and faith. In exploring compassionately the nature of collaboration and betrayal and in being an explicitly Christian allegory, the film was a controversial landmark of the Soviet “new wave”. Based on a novella by Vassil Bakov the film was the penultimate work of Shepitko, one of the leading women directors of inter- national cinema in the seventies. Winner of the Golden Bear at Berlin in 1977.
Our collection comprises over 40,000 moving image works, acquired and catalogued between the 1940s and early 2000s. As a result, some items may reflect outdated, offensive and possibly harmful views and opinions. ACMI is working to identify and redress such usages.
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