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Brian de Palma’s exciting and kinetic celebration of cinema has a frankly ludicrous plot involving diamond smugglers, a violent, beautiful and ruthless lesbian anti-heroine, and an audaciously over-the-top climax. But none of that matters for this strikingly shot film, beginning at the actual 2001 Cannes Film Festival and culminating in a breathlessly executed finale on the streets of Paris, is a joyful celebration of the possibilities of action cinema. De Palma has always been one of Hitchcock’s staunchest heirs and “Femme fatale” is a continuation of that master’s pleasure in creating a virtuoso cinema of spectacle, technique and purely cinematic language. From the sharpness of Bill Pankow’s editing to the sublime use of split-screen and subjective camera, from the clever pastiche of Ryuichi Sakamoto’s score to the crisp cinematography of Theirry Arbogast, “Femme fatale” is a film in love with cinema itself. Rebecca Romijn-Stamos makes for a suitably sexy and dangerous noir heroine; Antonio Banderas is the mug who falls in love with her; and there are guest cameos by Cannes Film Festival director, Gilles Jacob, by French director Regis Wargnier and French actress, Sandrine Bonnaire.
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How to watch
Collection
In ACMI's collection
Credits
Collection metadata
ACMI Identifier
318136
Languages
Danish
English
English
English
Finnish
Norwegian
Swedish
Audience classification
MA
Subject categories
Advertising, Film, Journalism, Mass Media & TV → Cannes Film Festival
Advertising, Film, Journalism, Mass Media & TV → Motion picture trailers
Anthropology, Ethnology, Exploration & Travel → Paris (France)
Courtroom, Crime, Espionage & Thrillers
Courtroom, Crime, Espionage & Thrillers → Crime films
Courtroom, Crime, Espionage & Thrillers → Film noir
Courtroom, Crime, Espionage & Thrillers → Thrillers
Family, Gender Identity, Relationships & Sexuality → Gay and lesbian studies
Feature films → Feature films - France
Sound/audio
Sound
Colour
Colour
Holdings
DVD; Access Print (Section 1)