Holmes’ opus is one of the most significant films made in Australia before the 1970s revival. A profoundly independent work that robustly demonstrates Holmes’ filmmaking capabilities as well as his qualities as a cinephile and political artist (Henry Lawson and Frank Hardy are both sources), it reframes the common theme of “mateship” within explicitly leftist contexts and provides an indelible portrait of Australia from the 1890s to the 1950s. Preceded by Words for Freedom Cecil Holmes (1956, 19 mins – Unclassified 15+). Holmes’ fugue of Henry Lawson, union chronicle and folk tale provides a history of the Australian workers press.
Also screening on Wed 19 October
Although born in New Zealand, Cecil Holmes (1921–94) is one of the most significant and ambitious filmmakers to work in Australia during the 1950s, ’60s and ’70s. A dedicated leftist, his work consistently demonstrated a humanist commitment to the socially disenfranchised, ranging from the underlying capitalist conditions that force decent citizens into bushranging and stealing to the social and economic conditions confronting Indigenous communities in contemporary Australia (the latter works often made in collaboration with his wife, anthropologist and activist Sandra Le Brun Holmes).
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About Melbourne Cinémathèque
Australia's longest-running film society, Melbourne Cinémathèque screens significant works of international cinema in the medium they were created, the way they would have originally screened.
Melbourne Cinémathèque is self-administered, volunteer-run, not-for-profit and membership-driven.