
Painters, Thinkers and Pop Stars: Derek Jarman’s Radical Traditionalism
Wittgenstein
View online
1–7 Nov 2021
ACMI would like to acknowledge the Traditional Custodians of the lands and waterways of greater Melbourne, the people of the Kulin Nation, and recognise that ACMI is located on the lands of the Wurundjeri people.
First Nations (Aboriginal and Torres Strait Islander) people should be aware that this website may contain images, voices, or names of deceased persons in photographs, film, audio recordings or text.
1–7 Nov 2021
View online
Played by Nigel Terry with mesmerising volatility, Caravaggio’s tumultuous life is recounted through Jarman’s singular humanity. Beginning with the titular painter in his final hours, the film plays out in fragmented flashbacks centring on a love triangle between Caravaggio and two of his models played by Sean Bean and Swinton.
Caravaggio took seven years to make and is marked by Jarman’s disillusionment with the funding bodies and institutes that he had to negotiate with to receive funding. Despite this, it has gone on to become one of Jarman’s signature works.
This feature is paired with three of Jarman’s music videos, each showing his penchant for “renaissance”-style imagery, striking set design and temporal experimentation. Broken English: Three Songs by Marianne Faithfull (1979) 12 mins – Unrated 15+ interprets key songs from Faithfull’s classic album through dreamlike interludes and bizarre found footage-style Super 8 images. Pet Shop Boys: It’s A Sin (1987) 5 mins – Unrated 15+ links persecution past and present through an LGBTQ+ anthem. The Lords Of The New Church: Dance With Me (1983) 3 mins – Unrated 15+ finds Jarman’s most nightmarish stylistic tendencies a perfect fit for the work of the gothic rock supergroup.
– Guillermo Ignacio, Melbourne Cinémathèque committee member